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Carnaval in Maastricht!
Carnaval is in fact a Burgundian feast, which northerners do not know how to handle. Northerners try to 'organize' carnaval, while you cannot 'organize' a fever. You 'get' it and you go to meet others who 'got' it. What has to be organized, is organized by those who know they will 'get' it themselves. That is something totally different than to organize costumed feasts. Oh, how often I have celebrated Carnaval in Maastricht with my friends while growing up in Lanaken, Belgium, which is just over the border with Maastricht! Carnaval starts in Maastricht with the running up the flagpole of 'het mooswief' (Maastricht dialect for: the greengrocerwoman) and the firing of 'the cannon' on 'the Vrijthof', the well-known square in the middle of the town. That is followed by the grand procession, followed in turn by three days and nights of celebration! In the streets, in the pubs and everywhere. We only went home when we grew hungry! For sleeping we had no time... for three days and nights we would just walk, dance, sing, jump and play on the streets and in the bars.
Totally broke, very tired and most of the time with no voice left, we would go back to school or work on Wednesday. The Maastricht carnaval is indescribable: it's something you should experience! Every year there is a new 'Prince Carnaval' with his 'Council of Eleven', every year there is again a crazy new carnaval song, that you can hear being sung and played everywhere, and naturally, you sing and dance with complete strangers, all together, in some costume or other, in the streets and inns, which have been completely cleared for the occasion except for the beer taps. Out of one hostelry, into the next. Music resounds through the streets, it rains kisses in the many cosy, warm pubs around 'the Vrijthof' and other proper area's of Maastricht, you dance, you sing, you do what you like, you flutter like a butterfly. You are gypsy or princess, potbelly stove or lampshade, and you are...yourself. You discover the reason in the nonsense. A bit of folklore, which annually makes its presence felt. There are no better words to describe the carnaval than an exuberant people's feast that has since who knows when has been celebrated in many places, but the one in Maastricht is shown on TV. But what is it that supports this feast so that it returns every year again? Although opinion is divided, it is certain that, in the first place, the carnaval is a turn-around-rite. This element throughout the centuries always plays a meaningful part: the turned around world pointed to the kingdom of the dead where everything happened in reverse. It concerns, in other words, a celebration of society inside out and upside down. An escape mechanism in the community in which individuals are robbed of their freedom for the sake of the social hierarchy. The fact is, that the origin of carnaval is uncertain. Very many carnavalologists claim that carnaval has nothing to do with christianity. They are in fact convinced that it was not just a coincidence that continually similar celebrations with a lot of similar characteristics evolved thoughout the centuries and returned. One of those important characteristics was certainly the idea of fertility and the birth of humanity and nature. Accordingly the winter was farewelled with much happiness and triumph and spring welcomed - as in the burning and drowning of a straw effigy - in Breda they threw the Shrove Tuesday doll into the Mark (river) and in Roermond into the Roer (river). Other carnaval experts confirm, however that there is a link between carnaval and christianity. They assert that the event did not exist before the year 1000 and that it is obviously rooted in christianity. The exhuberance of carnaval functioned then as antidote to the abstinance during fasting. Yet others see in carnaval as medieval creation a common people's interpretation of the miracle play. And then of course there is the word itself 'carnaval' (Dutch). Although there seem to be other explanations possible, the derivation from the churchlatin 'carne levare', which points to the spoiling of meat, is a possibility. It is from this 'carne levare' that later 'carnevale' evolved. One of the many peculiarities which add colour to carnaval, is the well-known carnaval greeting: 'alaaf'. Not with the right hand to the right side of the forehead, as is customary, but with the top of the right hand to the left temple. Possibly a then-parody of the strong militarism of the Prussians - a so-called alternative greeting, or a pointer to the number 11. The fools number par excellence, which regulary appears in the carnavalesque events: -the Council of Eleven; -on the 11th of the 11th month the carnaval season is commenced with celebrations, the Council of Eleven is meeting first time; -eleven is an evil number, it exceeds the ten commandments. And then there are the masks and the disguises. The present meaning of those must be found in the temporary escape of normal life. This one causes to happen by climbing into another skin. One sometimes calls clothing people's social outer skin. Well now, this outer skin one changes for a certain period. From a disguised carnavalist one can expect anything. Their actions are no longer predictable, but noone is concerned about it. Carnaval is a living people's entertainment, that, in spite of the obstacles of the past and now, still exists. Was Petrus Canisius right when in 1572 he wrote: "Carnaval, in my opinion, cannot be abolished by king or emperor"?
Credit: Most text came from 'Antoinette's Scrapbooks' - page is down 
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